National Gallery London‘s National Gallery, one of the world‘s foremost art institutions, is itself portrayed as a brilliant work of art in this, Frederick Wiseman‘s 39th documentary and counting. Wiseman listens raptly as a panoply of docents decode the great canvases of Da Vinci, Rembrandt, and Turner; he visits with the museum‘s restorers as they use magnifying glasses, tiny eye-droppers, scalpels, and Q-tips to repair an infinitesimal chip; he attends administrative meetings in which senior executives do (polite) battle with younger ones who want the museum to become less stodgy and more welcoming to a larger cross-section of the public. But most of all, we experience the joy of spending time with the aforementioned mas ters as well as Vermeer and Caravaggio, Titian and Velazquez, Pissarro and Rubens, and listen to the connoisseurs who discourse upon the aesthetic, historical, religious and psychological underpinnings of these masterpieces. (C) Zipporah.
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180 min - Documentary - 2014-11-05
Title : National Gallery
Writers: Zipporah, etc
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Director: Zipporah
Rating : PG-13
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Review Movie National Gallery
Sitting there with something like National Gallery, it's not the rush of time you feel. It's the rush of applied skill.
If a picture is worth a thousand words, then there are at least a million things worth talking about in National Gallery.
National Gallery presents the famous art space as almost a living and breathing thing, with all the complications and rough glory that implies.
"National Gallery," a m eandering trip through the famed London art institution, has many sublime scenes - and some tedious ones, too.
Though Wiseman's now well into his 80s, his eye's as sharp as ever.
Frederick Wiseman's documentary National Gallery is for art lovers, movie lovers - basically for anybody.
[An] iridescent look at London's premier art institution.
It is such a gift that Frederick Wiseman, who is edging toward 85, continues to let his cur iosity and his craft fill his days and our theaters.
An immersion in art and humanity.
Mr. Wiseman's film, like the institution it examines, enhances the art of seeing, the pleasure of understanding.
"It's this wonderful mixture of observation and imagination," a lecturer says of Leonardo's "Madonna of the Rocks," one of the museum's prize possessions. Something similar can be said of Wiseman and his film.
"National Gallery" could have used a few more edits; its long run time may limit its appeal. But the film is remarkably engaging and, with close looks at so many important pieces of art, bursting with beauty.
The museum's interior is neoclassical, and Wiseman's severely restrained style of filmmaking matches it perfectly.
Like many of the 39 documentaries Frederick Wiseman has made since his controversial debut with Titicut Follies in 1967, this film is a leisurely if disciplined exploration of an institution, patient in its observances and curious about every detail.
The elder statesman of America n documentary, Frederick Wiseman, returns with an in-depth look at London's great museum, home to a spectacular array of masterpieces.
After 47 years of making documentaries, Frederick Wiseman has his methodology down pretty darn pat, for better or worse (usually better).
Like most of Mr. Wiseman's work, the movie is at once specific and general, fascinating in its pinpoint detail and transporting in its cosmic reach.
Long, leisurely paced, wide-ranging, meticulously crafted, intellectually intricate, and touched with profundity.
You may initially find yourself missing the emotional pull of the film's first sections, but it's all to an increasingly intriguing point.
Turning his camera on works of art and the people who steer the distinguished London complex, the grand old man of hands-off documentaries studies paintings and bears witness to staff meetings, curatorial discussions and gallery talks.
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