The Hunger Games: Mockingjay - Part 1 The worldwide phenomenon of The Hunger Games continues to set the world on fire with The Hunger Games: Mockingjay - Part 1, which finds Katniss Everdeen (Jennifer Lawrence) in District 13 after she literally shatters the games forever. Under the leadership of President Coin (Julianne Moore) and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta (Josh Hutcherson) and a nation moved by her courage. The Hunger Games: Mockingjay - Part 1 is directed by Francis Lawrence from a screenplay by Danny Strong and Peter Craig and produced by Nina Jacobson‘s Color Force in tandem with producer Jon Kilik. The novel on which the f ilm is based is the third in a trilogy written by Suzanne Collins that has over 65 million copies in print in the U.S. alone. (c) Lionsgate.
Detail For The Hunger Games: Mockingjay - Part 1
125 min - Action - 2014-11-21
Title : The Hunger Games: Mockingjay - Part 1
Writers: Lionsgate Films, etc
Stars: Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Julianne Moore, Sam Claflin
Director: Lionsgate Films
Rating : PG-13
Character : Katniss Everdeen, Gale Hawthorne, Peeta Mellark, President Alma Coin, Finnick
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Review Movie The Hunger Games: Mockingjay - Part 1
A solid lead-up to the finale.
It's an elaborate game of hurry-up-and-wait. And it's the most shameless example yet of splitting the final book in a hugely popular series into two film adaptations.
Might it have been better if they'd squeezed the whole book into one movie? Probably. Nonetheless , Mockingjay Part 1 is a fine entertainment, shot through with moments of surprising emotional impact.
Mockingjay has more exposition than a TED Talk, more rubble than a decade of The Flintstones, and absolutely no nonmonetary reason to be Part 1 of anything. It isn't storytelling. It's a filibuster.
As an actress, Lawrence has grown beyond this sort of thing, and the entire enterprise, directed by Francis Lawrence, feels like a massive placeholder for the grand finale.
The effect of so many Oscar-calibre actors speaking the generic dialogue is like watching pro ballplayers play T-ball.
"Mockingjay - Part 1," however well done, can't compete with the first two films, although it sets up what should be its stunning ending well enough.
If Mockingjay - Part 1 is quieter and less flashy than its predecessors, that doesn't make it less satisfying.
Once you accept that the splitting of Mockingjay is a business decision, not a dramatic imperative, Part 1 comes off as a curiously satisfying nonaction movie.
This is as grim as PG-13 can get; the darkness is comparable to that of The Empire Strikes Back.
Lawrence delivers on what dramatic beats half a novel affords him. You just wish there were more of them and that they provided a more complete, more satisfying story arc.
Collins and the Lawrences have crossed the uncanny valley separating imagined dystopia from actual horrors, but they're also delivering a life lesson in cinema to teens: Things are stronger when they look real.
OK, there's less action in Games this time, but what's there is prime. And the acting is aces.
If it's more talky and less satisfying than its predecessor, the propulsive The Hunger Games: Catching F ire - largely because the conclusion won't come until next year with Part 2 - it's still a sporadically involving adventure.
The impressive supporting cast (which features Philip Seymour Hoffman, Julianne Moore, Jeffrey Wright, and Woody Harrelson) keeps this highly watchable.
There's enough here to at least keep fans of the series involved and eagerly awaiting the grand finale.
"Mockingjay" is a rare bird in its genre, an action adventure with an interesting mind and a resonant spirit.
Although it doesn't make a lick of sense as a stand-alone story, "Mockingjay - Part 1" is the first "Hunger Games" movie with meat on its bones.
After its first two terrific installments, the newest edition of "The Hunger Games" left me hungry, like a feast that's stunningly prepared but flavorless and non-nutritious.
IMockingjay's placeholder status is a little too evident in its choppy, shapeless structure, this dark third chapter does have stretches of somber beauty.
"Mockingjay Part 1" is streamlined, blunt and easy.
The stealth highlight of this franchise has always been the flavorful cultural satire, which takes center stage throughout much of Mockingjay's fleet runtime.
"Mockingjay - Part 1" is a penultimate chapter without a real ending, but it's also a thrilling ride full of potent emotions, new characters and major twists of fate, built around another commanding star performance.
You leave this well-acted, impeccably designed movie as you entered it: still waiting.
Turns out when Collins wrote Mockingjay in 2010, she was predicting not only America in two centuries but also the accidental, overnight Internet instafame just four years away.
Mockingjay - Part 1 does get a mid-film lift when Katniss and Gale go up against Snow's air force with a few bows and arrows; the scene is ridiculous, and it works. But the rest is a muddy, underlit slog, a movie that searches in vain for its own pulse.
When the story finally does manage to get interesting toward the end, it just screeches to a halt and cuts off, leaving fans wriggling on the hook for a finale they won't get to see for another 12 months. That's not a cliff-hanger, that's just a tease.
It's a joyless, surpassingly dour enterprise, but one that fulfills its mission with Katniss's own eagle-eyed efficiency and unsentimental somberness. "Mockingjay" sets up the end Game with a grim sense of purpose.
Director Francis Lawrence does a nice job capturing the claustrophobic environment of District 13 and has a good eye for action shots. But the actors are what really sell the movie.
The least satisfying "H unger Games" entry yet.
As an adaptation of part of the third book by Suzanne Collins, it's easily the most political of the three films. It's also the most absorbing and best in the series.
Mockingjay - Part 1 is a serviceable entry into the conclusion of Katniss's saga. It boasts some imaginative visuals, a few truly thrilling moments, and standout performances from Lawrence, Banks, Harrelson, and Hoffman, to whom the film is dedicated.
A dull, claustrophobic, pallid-looking film about people looking into and talking at screens. When the end finally comes, it's from out of nowhere, except it's not really an ending, more like a work stoppage.
A dark, grim and exciting entertainment.
In this chapter, Katniss Everdeen, the working-class rebel played by Jennifer Lawrence, mostly holsters her weapons and plays dress-up, just as the movie itself gives up any higher aspirations of offering social commentary or insight.
Even though Mockingjay contains scenes of mass graves and mass slaughter on the battlefield, this isn't a movie, or a set of characters, built on bloodlust or the enjoyment of anonymous kills.
Thinly spreads a half-hour's worth of plot over two plodding hours.
If you want drama, and action - and, most especially, Katniss in charge - well, buy another ticket, next year.
There are moments when "The Hunger Games: Mockingjay - Part 1" takes flight, but overall this action-drama flits about, wondering where to land.
Lawrence's instincts are so smart that she never goes even a shade overboard. She's a hell of an actress.
The two-hour foot-soldier slog through Mockingjay Part 1 forces audiences into mostly wasteful waiting for someth ing special to happen.
The politics of Mockingjay are as intensely gripping as the games in the earlier films - and more deadly.
The series' two-part finale gets under way in solid, absorbing if not exactly inspired fashion.
Like an overgrown and bloated trailer for a film yet to come, Francis Lawrence's The Hunger Games: Mockingjay - Part 1 spreads perhaps 45 minutes of dramatic materia l across two far-too-leisurely hours.
Still very much a Hunger Games movie, yes, but it calls to mind smart political comedies like Wag the Dog and Tanner '88 as well.
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