Top Five Pulsing with the rhythm of his greatest stand-up, Chris Rock‘s TOP FIVE takes things to the next level, reveling in the high and the low, and blending a star-studded comedic romp with an irresistible romance. TOP FIVE digs under the surface of show business, politics, rap, and the exigencies of being black and famous today-holding it all up to the light in the way only Chris Rock can. Mingling echoes of Woody Allen and Dick Gregory with the energy of Kanye West and Jay Z, TOP FIVE is an original and radically new kind of American movie. Written, directed by, and starring Chris Rock, TOP FIVE tells the story of New York City comedian-turned-film star Andre Allen, whose unexpected encounter with a journalist (Rosario Dawson) forces him to confr ont the comedy career-and the past-that he‘s left behind. Starring Chris Rock, Rosario Dawson, Kevin Hart, Tracy Morgan, Cedric The Entertainer, J.B. Smoove, Sherri Shepherd, Anders Holm, Romany Malco, Leslie Jones, Michael Che, and Jay Pharoah. The film is produced by Scott Rudin and Eli Bush. The Co-Producers are Shawn "Jay Z" Carter and Kanye West; the Executive Music Producer is Questlove. (C) Paramount.
Detail For Top Five
min - Comedy - 2014-12-12
Title : Top Five
Writers: Paramount Pictures, etc
Stars: Rosario Dawson, Adam Sandler, Gabrielle Union, Whoopi Goldberg, Jerry Seinfeld
Director: Paramount Pictures
Rating : PG-13
Character :
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Review Movie Top Five
A seriously funny, semi-autobiographical film that might be the most accomplished work Chris Rock has ever done for the big screen.
Like Rock's best stand-up shows, Top Five mixes the sweet with the salty, the naughty with the remarkably kind. It celebrates the darkly hilarious with the light of whip-smart observations.
For an ostensibly soul-deep movie like this to work, we need more than smirks and scowls.
Top Five finds Rock in an elevated form, at 49. Things change, sometimes for the better.
Extremely enjoyable .
It's fun to watch Chris Rock; it's just fun. And there are parts of this film where it's fun to watch him in exactly the ways he wants it to be.
Welcome back, Chris Rock.
[Rock is] still not all the way there in "Top Five," his third effort as writer-director-star. But the movie has so many laughs it hardly matters.
An innovative take on familiar material, Top Five is an exquisitely paced, rich, idiosyncratic, satirical, yet deeply moving free-form comedy about a Hollywood star who is shadowed for one day by a New York Times reporter.
It's a slap-happy movie and often scurrilously funny - the sound of a gifted comic mind finally finding its onscreen v oice.
A romantic comedy that's also an extended riff on art, identity, authenticity and what it means to be a black entertainer .
The movie, which alternates between hilariously vulgar gags and some electric improvs and riffs by Rock and his cast of all-stars, has the crackle and pop of a live performance - it energizes you.
The movie marks the first time Rock's stand-up persona - cutting, vulnerable, afraid of no sacred cows - has survived intact on the way to the multiplex. That alone is reason for fans to celebrate.
Rock is on a roll again.
To the writing, Rock brings the discipline of his stand-up. Even with some improvisation, there is not one throwaway line in this fat-free script.
It can be delightful, intelligent, crude, clumsy and culturally tone-deaf, depending on which scene is rolling by. One minute it's a major letdown, the next minute a joy to watch.
Raunchy in extremis, often funny and at times touching, "Top Five" is Chris Rock's sincere attempt to craft a film career largely detached from his stand-up clowning.
The sweetest surprise in this raunchy comic ride is how artfully Rock lets down his guard. His confident, prowling wit as a stand-up has finally found its way to the screen, enhanced by a bracing vulnerability.
Mr. Rock has made a pyrotechnic pinwheel of a personal comedy, and he's had the wisdom to share it with a strong co-star. While he sends sparks flying every which way, Rosario Dawson keeps the story grounded in calm intelligence and classic romance.
"Top Five" may be Chris Rock's biggest and boldest film as a director and writer, but a sharper, smarter, realer script would have made it far more than just a lazy, lightweight laughfest.
Top Five is Rock's most accomplished work yet, a truly personal story whose comedic riffs on love, race, sex, and celebrity are carefully woven into a credible romantic plot.
"Top Five" has the bright, high-gloss feel of the most delicious wish-fulfillment fantasies, but it derives its spiky, propulsive energy from the adamantly forthright figure at its center.
In "Top Five," you sense Rock trying to load all these disparate talents onto a conventional romantic-comedy structure. It's a close call, but it holds.
What lingers hours later aren't just the laughs but the people.
With "Top Five," Rock has finally made the transition to true movie stardom.
"Top Five" is a funny movie, but Rock has his sights set higher than lowbrow, and for the most part, he succeeds.
Rock's ambitious passion project - he wrote, directed and stars in it - is a bawdy, uninhibited yet thoughtful social satire about fame vs. artistic fulfillment.
A disorganized, dawdling mess of a movie that is rarely anything less than charming.
Rock's fast-talking rhythms are all over this movie, and they lift it up; it's like dropping in on a party full of funny people, and leaving before the evening fades.
Just when it seemed like Chris Rock had already done plenty for the culture, along comes his latest work as a writer and director, "Top Five." And it's one of the most vibrant, sly romantic comedies this year.
As an actor, Rock doesn 't create much of a spark with Dawson, and as a director, he tends to let scenes go on too long.
Rock still hasn't figured out exactly what he wants you to think of him, but the way the film reflects that uncertainty may be the most interesting thing about it.
You come away from it with the thrilling sensation that you're seeing an artist you thought you knew reinvent himself.
You'll likely leave the theater smiling. And when's the last t ime you cold say that about a Chris Rock movie?
Rock has said that he wanted to make a movie that captures the energy of his stand-up. Top Five fits the bill.
On the surface, a lost-artist comedy in the vein of Woody Allen's Stardust Memories, but more deeply, a referendum on the dead-end choices Rock himself might be feeling.
Top Five is a reminder that as often as comedy fails us, sometimes it's our best hope for resuscitation. Seeing it at the end of a crap week, I suddenly felt I could breathe again.
Chris Rock wrote, directed, and stars in this genial, splendidly constructed, occasionally hilarious comic drama with a reflexive twist.
It can be hard for a movie to dwell on the problems of the rich and famous without seeming a touch self-serving, but Rock always keeps things in perspective.
The writing is strong enough that when the humor gives way to drama in the second half, there's enou gh at stake to keep us interested, although Rock still has plenty of jokes in store for the finale.
The mess never coheres, but it sends off you on a high anyway.
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