Unbroken Academy Award (R) winner Angelina Jolie directs and produces Unbroken, an epic drama that follows the incredible life of Olympian and war hero Louis "Louie" Zamperini (Jack O‘Connell) who, along with two other crewmen, survived in a raft for 47 days after a near-fatal plane crash in WWII-only to be caught by the Japanese Navy and sent to a prisoner-of-war camp. Director Jolie began shooting some of the most dramatic and challenging scenes on Wednesday, October 16, on location far out at sea in Moreton Bay, Australia, with Zamperini (O‘Connell) and his fellow airmen-Phil (Domhnall Gleeson) and Mac (Finn Wittrock)-having impossibly survived being adrift in the open Pacific for several weeks. Working with cameras on a floating rig in choppy waters and braving the elements, with actors dieting for months to appear as depleted as their characters, Jolie completed a successful first day of a location shoot that promises to be rigorous and uniquely challenging. Adapted from Laura Hillenbrand‘s ("Seabiscuit: An American Legend") enormously popular book, Unbroken brings to the big screen Zamperini‘s unbelievable and inspiring true story about the resilient power of the human spirit. Starring alongside O‘Connell, Gleeson and Wittrock are Garrett Hedlund and John Magaro as fellow POWs who find an unexpected camaraderie during their internment, Alex Russell as Zamperini‘s brother, Pete, and in his English-language feature debut, Japanese actor Miyavi as the brutal camp guard known only to the men as "The Bird." The film is produced by Jolie, as well as Matthew Baer (City by the Sea), Erwin Stoff (The Day the Earth Stood Still) and Clayton Townsend (This Is 40). Leading the accomplished behind-the-scenes crew is 10-time Oscar (R)-nomi nated cinematographer Roger Deakins (Skyfall). Academy Award (R) winners Joel and Ethan Coen (No Country for Old Men) rewrote the screenplay from earlier drafts by William Nicholson (Les Miserables) and Richard LaGravenese (HBO‘s Behind the Candelabra)..
Detail For Unbroken
137 min - Drama - 2014-12-25
Title : Unbroken
Writers: Universal Pictures, etc
Stars: Jack O
Director: Universal Pictures
Rating : PG-13
Character : Lou Zamperini
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Review Movie Unbroken
"Unbroken" is a rousing old-fashioned yarn with numerous exciting set-pieces and an uncomplicated hero you root for all the way through. It's entertaining throughout and made with a high level of technical skill.
A straightforward and entirely commendable story about the triumph of the human spirit, etc.
Given its subject, it should have been great, but it turns out to be simply good.
In a well-made, but one-note film.
"Unbroken" stirs a moviegoer by default; it's an astounding story of human endurance that has been brought a little too safely to the screen.
It is a harrowing journey, and an inspirational one. But, as director, Jolie takes far too long to tell it, particularly in such a conventional manner.
A tale of endurance, "Unbroken" takes endurance to sit through.
Handsome, alert and intensely focused, little-known English actor Jack O'Con nell is a fine choice as Louis. And Japanese pop star Takamasa "Miyavi" Ishihara shines as "The Bird,' Louis' sadistic captor and war criminal in training.
Unbroken is a fitting title for this excruciating cinematic treatment of the flyboy's ordeal. It plays like an endless, unrelieved gauntlet of suffering, an onslaught untempered by grace or redemption.
If you can take it, "Unbroken" will lift you like the classics of adventure cinema.
What the movie ends up in desperate need of is a sense of life made real and palpable through dreadful, tran sporting details, not a life embalmed in hagiographic awe.
If nothing else, it's certainly better than the last time a good-looking Hollywood star decided to direct a movie about WWII. But the less said about George Clooney's The Monuments Men, the better .
Jolie gets the dirty/ennobling job done.
Despite its many impressive elements, "Unbroken" plays incomplete and unbalanced.
Jolie hasn't done a disservice to Zamp erini's life, but it's hard to know what she was trying to tell. It's Zamperini's story in fact and circumstance, but somehow, he feels like an enigma.
For Jolie, it's all about the suffering, without much meaning.
As a castaway story, a historical drama and a portrait of an Olympian turned soldier, "Unbroken" is a touching and important work.
Zamperini's life story is genuinely inspirational, but the movie seems fashioned as a standard-issue profile in courage.
One of the finest achievements of the 2014 film year.
All the movie's tension comes down to whether Zamperini can withstand Watanabe's abuse, which is probably when it's helpful to forget the title.
You find yourself happy that this film exists, but wishing it were better.
The bigger problem is that neither Jolie nor the script bothers to flesh Louis out as a fully formed person with faults and fears and regrets, which keeps the film from ever capturing you emotionally.
More a series of similar events than a story, and lacks an underlying message except that torture hurts.
A beautifully shot, well-acted, and worthy-to-a-fault Second World War survivor story that only intermittently achieves the kind of emotional impact for which it aims.
Well-crafted and compelling, but director Angelina Jolie's best contribution was casting the unknown Miyavi in a pivotal role.
"Unbroken" makes for a grueling experience, which is not quite the same as a memorable one.
The truest testament to the film's strength is the degree to which it all but achieves greatness.
Jolie has made a grand, solid movie of the Zamperini story, but O'Connell is the part of Unbroken that was truly worth the wait.
A good 45 minutes of the movie consists of showing Louis getting beaten up, then healing; getting beaten up, then healing, over and over.
Though Jolie is shooting for Christ-like passion and redemption, she only ends up slathering one man's very real, very morbid struggles in the usual re ductive "greatest generation" sentiment.
This passion project for Angelina Jolie shines with her abiding love for Louis Zamperini and his courage under fire. In honoring Louis' endurance, she does herself proud.
There's a lot to like about the movie. Its presentation is straightforward, chronicling Zamperini's amazing tale without flinching.
Jolie is more fixated on gore than grace. In making us feel every crushing blow - the better to burnish her reputation as a serious director - we're shortchanged on the beauty of Zamperini's story
This great, tough-skinned movie can stand with the muscular action dramas that are a crucial part of American movie canon.
Though O'Connell's vulnerable lead performance is terrific, Unbroken's unrestrained hero worship undermines the story.
It's moving, admirable, and occasionally exhilarating. What it's missing is the one thing that could always be counted on with Jolie as a star: the spark of danger.
An interminable, redundant, unnecessary epic devoted to suffering, suffering, su ffering.
Angelina Jolie's film as a director is a gorgeously shot and hardhitting old-school war drama - but still somehow fails to get under its subject's skin.
The film boasts both sheen and efficiency without always delivering an equivalent emotional impact. It's easier to be awed or impressed by it than moved.
This will be a tough film for some to take. But it also has strong appeal as an extraordinary survival story, and Laura Hillenbrand's first-rate book that inspired it has not been on the best-seller lists for four years for nothing.
A bit embalmed in its own nobility, it's an extraordinary story told in dutiful, unexceptional terms, the passionate commitment of all involved rarely achieving gut-level impact.
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