The Interview In the action-comedy The Interview, Dave Skylark (James Franco) and his producer Aaron Rapoport (Seth Rogen) run the popular celebrity tabloid TV show "Skylark Tonight." When they discover that North Korean dictator Kim Jong-un is a fan of the show, they land an interview with him in an attempt to legitimize themselves as journalists. As Dave and Aaron prepare to travel to Pyongyang, their plans change when the CIA recruits them, perhaps the two least-qualified men imaginable, to assassinate Kim Jong-un. (c) Sony.
Detail For The Interview
min - Comedy - 2014-12-25
Title : The Interview
Writers: Sony Pictures, etc
Stars: Seth Rogen, James Franco, Lizzy Caplan, Randall Park, Timothy Simons
Director: Sony Pictures
Rating : PG-13
Character :
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Review Movie The Interview
What's wrong with The Interview is that it doesn't know how to be the singeing comedy it wants.
Te best satire provokes and even outrages, and Rogen, Franco and Goldberg certainly succeed on that score.
This is what all the fuss was about?
It's stupid. It's in bad taste. It impossible. I know all that. But Rogen's instinct to try anything for giggles and sticking it to dictatorial assholes is worth fighting for. Scr ew Kim if he can't take a joke.
It's certainly smutty-and infantile. Maybe half the jokes miss. But it is a truly savage work.
Everyone here is in way over his or her head.
Bluntly funny and ever-so-slightly sweet.
There's a whip-smart, pointed comedy in "The Interview." Unfortunately it's buried in there. Really deep.
Its lesson is that American pop culture is inescapable, our great achievement and most popular export, the weapon we wield abroad and the glue trap we struggle with at home.
The film is not a dangerous weapon, or a tool for anti-Korean propaganda. It does kill, but with comedy.
If you like your dictator mockery served on a sharper, smarter dish, you should probably just do what everyone else seems to be doing, and rewatch Team America: World Police.
Much of the film is devoted to the hit-and-miss (but strangely moving) riffing between the leading men.
Imagine "Harold and Kumar Go to North Korea," or "Bill and Ted's Excellent North Korean Adventure" or even "The Road to Pyongyang" starring Bob Hope and Bing Crosby. You get the idea.
Characterizing it as satire elevates the creative execution of the film's very silly faux assassination of North Korea's leader Kim Jong Un far beyond what it merits.
Offers a few moments of casual brilliance but otherwise trips itself up in the threads of its contrived absurdity.
The remarkably dismal quality is emblematic of the mind-set that brought the movie, and its attendant crises, into being.
"The Interview" struggles to really illuminate anything about the stranger-than-fiction Orwellian nightmare that is North Korea, but its attempt is admirable. It deserves to be seen.
That something so carefully slapdash and happily juvenile actually resulted in cyber-sabotage and threats of violence is, in itself, an enormous kind of joke. Too bad it's the biggest one here.
Hate to say it, but this film ain't half the satire it could have been.
A dangerous comedy about a dangerous regime shouldn't be safe for suburban dads.
Maybe you will love The Interview - if you can ever see the movie - as much as some people hate or fear it. But if you're hoping for any cogent political satire here, then the joke's on you.
In their third film together, Franco and Rogen have a terrific banter and an underlay of affection. This kind of rapport is rare.
Like their affable, ignorant characters, Rogen and Franco seem in way over their heads with "The Interview."
The Interview confirms Rogen as the most ambitious mainstream comedian in Hollywood.
While The Interview never slacks in its mission to tell jokes, it's such a messy and meandering movie that it never quite lands as a satire of politics or the media or anything else.
The Interview has the comic batting average of a mediocre-to-average Saturday Night Live sketch .
About as funny as a communist fo od shortage, and just as protracted.
The Interview fails to live up to the hype, floundering as a rowdy comedy as it grows duller by the minute.
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