The Gambler Jim Bennett (Academy Award (R)-nominee Mark Wahlberg) is a risk taker. Both an English professor and a high-stakes gambler, Bennett bets it all when he borrows from a gangster (Michael Kenneth Williams) and offers his own life as collateral. Always one step ahead, Bennett pits his creditor against the operator of a gambling ring (Alvin Ing) and leaves his dysfunctional relationship with his wealthy mother (Academy Award (R)-winner Jessica Lange) in his wake. He plays both sides, immersing himself in an illicit, underground world while garnering the attention of Frank (John Goodman), a loan shark with a paternal interest in Bennett‘s future. As his relationship with a student (Brie Larson) deepens, Bennett must take the ultimate risk for a second chance... (C) Paramount.
Detail For The Gambler
101 min - Mystery - 2014-12-25
Title : The Gambler
Writers: Paramount Pictures, etc
Stars: Mark Wahlberg, Brie Larson, Jessica Lange, John Goodman, Sonya Walger
Director: Paramount Pictures
Rating : PG-13
Character :
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Review Movie The Gambler
The hopeful ending comes off as too little, too late. Wahlberg gives the role his all, but sticking with him is a futile gesture. The Gambler never pays off. It's a sucker's bet.
As The Gambler becomes less about its protagonist's dashed intellectualism and more about the gathering danger of his predicament, the film gains power.
An agreeable if ridiculous slice of old-school Hollywood machismo .
It's just like the Kenny Rogers song says: "You've got to know when to hold 'em, know when to fold 'em." It's time for this "Gambler" to walk away.
The return is as miniscule as the stakes.
If someone is really that intent on self-destruction, why should we be his audience?
A dull, self-consciously arty wallow in the messed-up life of a character we don't care about.
What's mostly missing from "The Gambler" is a sense of why Jim is so insistent on squandering his money, privilege and patrimony.
This certainly is one driven narrative. Wahlberg reportedly lost 60 lbs. for the role, and his gaunt look makes Jim seem all the more haunted as he repeatedly throws away vast sums on games of chance.
In a rol e that would have been ideal for Tom Cruise in psycho mode, Wahlberg is merely OK. Unfortunately, the film's effectiveness turns on whether we buy into his angst.
Another wet battery about a week in the life of a gambling addict.
By suppressing Wahlberg's more typical sparkling unpredictability, this new reading of the character recasts him into someone more frustrating than free.
The Gambler is a solid remake - a film that retraces the path of the original while ca rving out its own identity.
A string of powerful performances, particularly Wahlberg's, and a killer soundtrack - including M83, Dinah Washington and St. Paul & the Broken Bones - redeem a middling entertainment gambit.
The Gambler is about the torturous dissatisfaction some people feel when they've managed to do everything right but still don't feel fulfilled
This remake of the 1974 James Caan film written by James Toback . crackles with mordant cynicism.
The Gambler is a hollow, overwrought and glibly cynical remake of a '70s drama about a self-destructive academic.
Low on action and tension, long on grand speeches. Wahlberg gets an A for effort in an unlikely role.
Slick but slight, The Gambler is an unnecessary remake of a well-regarded 1974 film.
Despite terrific, witty performances by Williams and Goodman, most of the talent is wasted in this picture.
Watching a hostile pessimist purposefully sabotaging his own good fortune just isn't as fun as it sounds.
Wyatt . brings some bristly, swaggering energy to the thing, and that in turn may have loosened Wahlberg up: He's both more intense and freer than he's been in years.
We didn't really care enough about Jim to be inv ested in his ultimate fate.
Whether Wahlberg's been miscast or misdirected, we never buy him as a desperate addict. Still, the movie is so quick and cool that for much of the time, we barely notice how little is actually at stake.
Blackjack is more of a noose than a needle for this self-destructive blowhard, and if that sounds less dramatic than the tale of a man who just can't walk away from the table, it is significantly funnier.
The one bit of good news is that the first Gambler is currently streaming on Netflix. Do yourself a favor and watch that one instead.
In nearly every scene, Wahlberg carries off the central role with what could be called determined elan.
There's enough swaggering cynicism for three pictures but barely enough soul to sustain even one in Rupert Wyatt's "The Gambler," a stylish, energetic but disappointingly glib remake of Karel Reisz's still-potent 1974 drama of the same title.
I t's no mystery why actors and directors want to relive the magic of American studio movies from the fabled 1970s, but if you're not going to take the risks that the originals did, or illuminate as much about the characters, why redo them at all?
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